What is technically the best movie of all time?

The Elusive “Best” Movie: Why Citizen Kane Remains a Benchmark, Not a Verdict

The question of the “best movie of all time” is a cinematic Rorschach test, revealing more about the viewer’s preferences than any objective truth. Yet, Orson Welles’ Citizen Kane (1941) persistently emerges as a leading contender, its influence so pervasive it transcends mere critical acclaim. But is it truly the best, technically speaking, or does its status reflect something more complex than pure technical merit?

The technical achievements of Citizen Kane are undeniable. Welles’ innovative use of deep focus cinematography, pioneered by Gregg Toland, redefined cinematic space. Scenes unfold with astonishing depth, simultaneously highlighting foreground and background action, creating a layered richness previously unseen. This technique, coupled with low-angle shots and striking compositions, imbued the film with a dynamic energy and psychological complexity.

Beyond deep focus, the film showcases groundbreaking editing techniques. Its non-linear narrative, jumping between perspectives and timelines, was revolutionary. The use of montage to convey the passage of time or the erosion of Rosebud’s mystery was masterful, creating a compelling and emotionally resonant narrative despite its fragmented structure. The innovative use of lighting, shadows, and chiaroscuro further enhanced the film’s visual power, creating a distinct and unforgettable visual style. Even the sound design, particularly the use of non-diegetic sound to underscore emotional states, was ahead of its time.

However, declaring Citizen Kane the “technically best” movie is reductive. Technical brilliance doesn’t automatically equate to artistic supremacy. While the film’s technical innovations are breathtaking, judging it solely on these merits ignores the subjective experience of cinema. Other films boast equally stunning technical achievements – consider the groundbreaking visual effects of 2001: A Space Odyssey or the breathtaking cinematography of Lawrence of Arabia.

The enduring power of Citizen Kane stems not just from its technical prowess, but from its thematic depth and enduring relevance. The exploration of power, ambition, and the elusive nature of truth remains profoundly resonant today. Its impact on filmmaking is undeniable, shaping the language and techniques of generations of directors. It set a benchmark, a standard of ambition and innovation that continues to challenge and inspire.

In conclusion, while Citizen Kane’s technical achievements are undeniably impressive and historically significant, labeling it the “best” movie of all time is an oversimplification. Its status is cemented not only by its technical innovations but by its enduring artistic merit and profound influence on the art form. The title of “best” remains subjective and elusive, yet Citizen Kane undeniably occupies a unique and unparalleled position within the cinematic pantheon. Its legacy is less about a definitive accolade and more about the enduring power of cinematic innovation and artistic vision.